Books on Tour — Teena Raffa-Mulligan

I’m delighted to welcome the warm, kind,  hard-working and talented author Teena Raffa-Mulligan as the latest guest on my blog today. Teena is taking part in the Books on Tour series, through Just Write for Kids, and is revisiting my blog after being an early guest on my Shelf Aware series last year (you can read her post here). Teena is the first author I ever interviewed — way back in the days when I was a cadet journalist — and 30+ years later I remain in awe of her energy, the breadth of her talent, and her commitment to writing and other writers. I also feel incredibly proud that we have a publisher and an illustrator in common.

Through Books on Tour, Teena is sharing the story behind the re-release of her charming, whimsical and beautiful children’s picture book Who Dresses God? (which she self-published through Novella Distribution), and you can find her other guest appearances via the links at the bottom of this interview. For now, I’m sure you’ll enjoy her answers to my questions…

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Q. Teena, can you tell me a little bit about how you came to write Who Dresses God?

A. Our younger daughter, who was about three at the time, was tucked into bed with me for a story before her afternoon nap when she asked that question. It turned out that during a recent visit with my parents, Mum had told her God knew everything about us and could see, hear and speak without eyes, ears or tongue. This had obviously given Ariane something to think about and she took it one step further: she had someone to look after her, so God must have someone who looked after Him too. We weren’t a religious family, didn’t read the Bible or go to Church, however I had grown up being exposed to frequent kitchen table discussions about the deeper meaning of life and was always encouraged to question everything I thought I knew. I’d carried this approach through with my own children, so I answered her the best I could and thought no more about it. I had no intention of writing a picture book on the subject but a few days later the story popped into my mind fully formed and I wrote it down. There was no effort involved; it was one of those rare gifts that sometimes arrive in a writer’s life – a poem, scene or chapter that feels almost as if it wrote itself and all you did was take dictation. If only writing were always so easy!

Q. Who are your target readers for this book?

A. Children who are asking questions about God, the life we live and this world we share.

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Q. What can you tell me about the illustrator and illustrations?

A. Veronica Rooke is my talented neighbourhood illustrator. For the past 12 years we’ve lived in the same street, which is really convenient. She encourages me to pursue my someday dream of being an artist, and I encourage her to write her own stories, because she has the potential to be a wonderful author/illustrator. Veronica has illustrated my two self-published picture books, plus my picture book, Friends, for small independent WA publisher Serenity Press. I also call on her whenever I need a book cover. I usually hand over my manuscript and say, “See what you come up with for this” — and I’m never disappointed. Veronica brings her own brand of humour to appropriate stories, is versatile when it comes to style, and is a pleasure to work with because she offers creative suggestions and listens to feedback.

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Creating the illustrations for Who Dresses God? presented some specific challenges because of the nature of the story. I didn’t have a clear idea of how it could be done but I did know I wanted a style that suited the gentle mood of the story. As always, Veronica came up with exactly what I wanted, even though I hadn’t known it at the time. The front cover was a surprise because I expected something conventional such as a little girl dancing about in a field of flowers with butterflies and birds. The minute I saw the dog tugging clothes off the clothes line, I loved it.

“…For God’s house is this world we share, and God is in it everywhere.” — Who Dresses God? by Teena Raffa-Mulligan

Q. When was the book originally published and how did you come to have it re-published?

A. The book was originally published in 2012. A couple of years ago the company offered all its authors the opportunity to take over the publishing of their own books and I accepted because I wanted to see if I could take this story to a wider readership. Initially I hadn’t done anything to promote Who Dresses God? I didn’t talk about it or read it during school visits due to my concern some parents might be upset if its content was in conflict with their own spiritual beliefs.

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Q. What sort of reactions have you had from young readers of this beautiful book?

A. I’ve been told by parents that the book is a favourite with their children. Most of the response has come from adults, who have welcomed the way it explains a complex subject in a way young children can understand.

Q. Why is it important to you that children have their questions answered?

A. Children come into this world with such a wonderful natural curiosity and in their earliest years they see everything without the filter of past experience. Answering their questions as they arise, being willing to share their wonder at the world in which they find themselves, nurtures an enthusiasm for learning that will stay with them throughout their lives. Shut down that questioning impulse in a young child and you limit their potential to explore who they are. It also has a knock on effect, because it can influence the way they will relate to their own children if they become parents.

Q. How many other books have you had published? For what age groups? And in which genres?

A. I’ve had 16 children’s books published, ranging from picture books and short chapter books to middle grade novels. Many of my poems and short stories for children have also been published in magazines and anthologies.

Q. Can you tell me a little bit about some of the other work you do relating to writing and reading?

A. Apart from family time, my life revolves around reading and writing. I can’t imagine living without stories. When I’m not writing, I’m thinking about stories; proofing or editing other writers’ manuscripts; running writing sessions; reading about how to improve my writing, marketing and publishing skills; attending writing events; and catching up with writer friends. I read every day – an eclectic mix of fiction and non-fiction. If I’ve had a productive morning and ticked the most important things off my To Do list, I reward myself after lunch with reading time before getting back to the business of being a writer. Sometimes – well, often – if it’s a page turner, the rest of the day will be given over to finding out what happens next.

I’m coordinator of Rockingham Writers Centre, so that involves organising our workshop and groups program, plus being co-organiser of our major annual event, a one-day convention that features an interstate agent and publisher and a program of workshops presented by leading West Australian authors. I love being involved in supporting other authors in this way.

Q. Finally, what are you working on now?

A. I’ve put together a collection of my poems for children called Sleepy Socks & Sometime Rhymes ready for release in February and that’s at the proofreading stage. I’m planning to follow it up later in the year with a collection of my short stories for children that I’ve tentatively called Oops! so that’s at layout stage and I need to organise a cover design for it. On the writing front, I’m midway through a novel about a kid who hires a parent tamer and it doesn’t have the hoped for results. I keep putting it on hold while I play publisher.

IMG_4482Keep informed about what Teena is up to on her website, blog, Facebook page and Twitter.

Find out more about the Books on Tour blog series on the links below:

Monday Dec 10 – Friday Dec 14 – www.justkidslit.com/blog

Monday Dec 10 – blog.boomerangbooks.com.au

Tuesday Dec 11 – www.educateeempower.com.au

Wednesday Dec 12 – www.readforfun.com.au

Books on Tour – Rachel Nightingale

Rachel Nightingale

Author Rachel Nightingale

This week I’m again taking part in the Books on Tour blog series — this time to help author Rachel Nightingale share details of her latest release, Columbine’s Tale (Odyssey Books), which sounds perfect for young readers with an interest in fantasy, intrigue and a hint of romance. 

You may recall that I previously featured author Kellie Byrnes and her children’s picture book Cloud Conductor (illustrated by Ann-Marie Finn and published by Wombat Books) in this series, and Anne Donnelly who wrote and illustrated Ori’s Clean-Up, a picture book that introduces children to some important messages about recycling and environmental sustainability.

Books on Tour is a project by the wonderful folk at Just Kids’ Lit, who conducted a delightful interview with my book, Every Family is Different (here).

I hope you’ll enjoy getting to know a little bit about Rachel through her answers to my questions. You can find more Books on Tour posts about Rachel and Columbine’s Tale by following the links at the end of this post.

Col Cover SmallQ. Rachel, how would you describe the work that you do and how you do it?

A. I create magical worlds and people them with characters who are curious, brave and adventurous. Every book is a combination of research, daydreaming and writing. I love every part of the process and I love seeking out inspiration, in books and pictures and the world around me.

Q. What can you tell us about your latest writing project/book release?

A. Columbine’s Tale is the second book in the Tales of Tarya series, which is about the power of creativity. It’s about a young woman, Mina, who discovers that when she tells stories she can change the world. She joins a troupe of travelling actors and becomes bound up in romance, danger and a long hidden secret.

Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. I have bookcases everywhere! The bathroom and kitchen are the only rooms without bookcases. There’s one in every bedroom, the study and the hallway.

Q. How are your books organised/arranged?

A. It varies by room. Each of the kids has their own bookcase and filing system. My son has a very long bookcase and one entire shelf is Terry Pratchett, in order of publication. My husband tends to group his by topic so there are different sizes grouped together. I like the look of having taller books together and shorter ones together, so mine are generally by author or topic, but size plays a role too.

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Q. What sorts of books predominate?

A. We’ve got everything. We homeschooled both kids at various times, so there are all sorts of non-fiction, educational books, as well as many genres of fiction, Eastern philosophy, historical costuming, Celtic mythology… A wide range.

Q. Describe your favourite reading place.

A. Real or fantastical? Real would be a chair in the living room, with a soft blanket, my cat nestled in my lap, my dog next to me and a cup of tea and a couple of chocolates on the table. Fantastical would be a hideaway somewhere warm, with a view of the sea or the forest. But still with a cup of tea and chocolates.

MermaidQ. What book/s are you reading right now? Why did you choose that book/those books and what do you think of it/them so far?

A. I’ve just started a book called The Mermaid, by Christina Henry. It starts out like a traditional fairy tale, with a lonely fisherman catching and releasing a mermaid. The writing is beautiful, mythic and traditional. But from the look of the description it’s going to go in an interesting direction so I’m really curious to read on. It came in my last Never Never Book Box, which is a fantastic spec fiction subscription box that comes with books and treats every two months.

Q. What are your favourite books and/or who are your favourite authors?

A. I love the Dark is Rising series by Susan Cooper, which brings in elements of British and Welsh myth so brilliantly. Anything by Ursula Le Guin is a fantastic read. And I just finished the Verity Fassbinder urban fantasy series set in Brisbane by Australian Angela Slatter – they are hilarious, great story telling and resonate with all sorts of mythical characters.

The books to save

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

A. I would have to take the ones that are irreplaceable. Most books I could buy again, but the two my Dad wrote are hard to find now so I would have to take them. The third one would be Chase the Moon, by Catherine Nicolson, which inspires me so much with its romantic story and lush descriptions. Such a beautiful book, and again, hard to find, so I couldn’t possibly leave it behind.

Find out more about Rachel on her website, Facebook, Twitter and Instagram. Use these links to buy Columbine’s Tale and book one in the series, Harlequin’s Riddle.

Follow Rachel on the Books on Tour blog series on these sites:

Tuesday 23 October www.karentyrrell.com

Thursday 25 October www.readforfun.com.au

Friday 26 October www.littlebigreads.com

Monday 29 October http://sharingyourstory.com.au/

Tuesday 30 October www.carolyndenman.com

Wednesday 31 October blog.boomerangbooks.com.au

Thursday 1 November www.nikkireads.blog

Friday 2 November www.intheirownwrite.wordpress.com

Shelf Aware – Alice Nelson

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Alice Nelson recently released The Children’s House.

Australian author Alice Nelson is a rare talent. She has the capacity to take some of the most challenging, heartbreaking and horrific topics and write about them in ways that are accessible and engaging without compromising on their oftentimes brutal honesty.  In the wake of the release of her latest novel, The Children’s House (Penguin Australia), I’ve been remembering the impact of an earlier work — After This: Survivors of the Holocaust speak (Fremantle Press) — a collection of interviews with Australian-based survivors of the Holocaust. It was released in 2015, to coincide with the 70th anniversary of the liberation of Auschwitz-Birkenau, and it remains one of the most compelling reflections of strength, resilience and the healing powers of hope that I have ever read.

Alice was named one of the Sydney Morning Herald’s Best Young Australian Novelists for her first novel, The Last Sky, and her short fiction, essays and reviews have appeared in publications such as The Sydney Review of Books, The Asia Literary Review, Southerly Magazine and The West Australian. 

I took great delight in reading her responses to my questions, and was mesmerised by the image of the magnificent floor-to-ceiling shelves that house her collection of books. I’m confident you’ll also enjoy reading this post from my latest Shelf Aware guest.

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Q. Alice, how would you describe the work that you do and how you do it?

A. My first love is fiction, and I’m happiest when I’m immersed in work on a novel, though I do find the writing process frequently agonising and usually very slow. I write as much as I possibly can; in whatever spells of time I can carve out for myself.

Q. What can you tell us about your latest writing project/book release?

FCAA. My latest novel, published this month, is called The Children’s House (Penguin Australia). The book had a complex genesis. One level it grew out of a cluster of questions that would not leave me. How do we reconcile ourselves with great loss? What do we do with the complicated burdens of inheritance? How do those whose psyches have been profoundly damaged care for children? What are the best ways to remember and to memorialise? Why is the cost of love sometimes so heavy? These are all questions that inherently have no real answers, but writing the novel was a way for me to immerse myself in these concerns.

On a more tangible level, The Children’s House was very much inspired and influenced by my work over many years with refugees and asylum seekers, and some of the complex friendships I have formed with several individuals.

The novel is out soon and it’s an exciting, but also rather nerve-wracking, time to know that the book is on the cusp of its journey into the wider world.

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Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. I’m extraordinarily fortunate in that I have a dedicated library with floor-to-ceiling bookshelves and a sliding ladder. It’s been one of the dreams of my adult life to have such an arrangement, and it gives me immense joy. Of course, despite this extravagant amount of shelf space, my house is also full of stacks of books in various other places, including the ever-expanding pile of books to be read that I keep beside my bed.

Q. How are your books organised/arranged?

A. Despite my much more pragmatic stepson’s efforts to entice me to apply the Dewey Decimal System to the ordering of my library, I’m afraid that it is rather more haphazard than anyone scientifically minded would approve of. Fiction is ordered alphabetically, but non-fiction is arranged far more idiosyncratically, with clusters of books that just seem to belong together. There are sections for various books I’ve used for research, a poetry shelf, a section on birds, a shelf of art books, and assorted other thematic groupings which are mostly intelligible only to me.

Q. What sorts of books predominate?

A. Literary fiction seems to make up the vast majority of my collection, though there’s a substantial amount of poetry, essays and various non-fiction books too. There are also various esoteric clusters of books I’ve collected as research for writing projects. There’s a character in The Children’s House who is an avid birdwatcher, so I have a whole shelf of books on birds and birdwatching. The research for the novel also lead me into explorations of the Romani people of Eastern Europe, the Hasidic Jewish community of Crown Heights in Brooklyn, kibbutzim in Israel and the lives of Catholic nuns, so there are little pockets of all these mysterious and seemingly unrelated texts I’ve accumulated on the strange circuitous journey of writing a novel.

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Q. What are your favourite books and/or who are your favourite authors?

A. There are so many writers I adore and who have been so profoundly important in my life that it’s always hard to narrow it down. I love Anne Michaels, Michael Ondaatje, Chekhov, Siri Hustvedt, Lorrie Moore, Edwidge Danticat, W.G Sebald, Helen Garner, Tolstoy, Louise Gluck, Stanley Kunitz, Marguerite Duras, Colum McCann, Michael Cunningham, Toni Morrison. I have so many favourite books that it’s almost impossible to nominate them in a list but I do think that Michael Ondaatje’s The English Patient is a perfect novel; to me it is completely inexhaustible. I could read it a thousand times.

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

A. I would choose my copy of Let The Great World Spin, which Colum McCann signed for me in New York, the copy of The Rings of Saturn by W.G Sebald that I took with me on my own pilgrimage in his footsteps along the Suffolk coast and a tiny, limited edition collection of essays by Anne Michaels called Infinite Gradation because it is such a rare and beautiful book.

Q. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would like to talk to them about?

A. I think I would have to invite Marguerite Duras, Michael Ondaatje and Anne Michaels. We would sit in the sun under a plane tree (ideally in the south of France) and drink Lillet blanc and talk about life, love and the complex inheritances and hauntings of the past. Although in reality, writers are often reclusive and introverted so perhaps I would need to stock up on the Lillet!

After This

Alice Nelson is also the author of After This: Survivors of the Holocaust speak (Fremantle Press).

You can connect with Alice on her website or on Facebook.

How to write a successful media release

This week, the dynamic team at Marketing for Change posted a guest blog I wrote, offering tips and advice for writing a media release to help people promote their work, community group, charity or organisation. Marketing for Change is a Perth-based social enterprise helping charities, governments and social businesses deliver positive outcomes for the people they serve.

You can read my guest blog here.

Shelf Aware — David Whish-Wilson

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Author David Whish-Wilson.

David Whish-Wilson is one of those rare authors who has achieved both critical  and popular acclaim — and for good reason. David’s fifth novel, The Coves, was recently published by Fremantle Press, and is generating plenty of interest among readers of quality historical crime fiction.

David was born in Newcastle, New South Wales, and raised in Singapore, Victoria and Western Australia. According to his website, he “left Australia in 1984 to live in Europe, Africa and Asia, where he worked as a barman, actor, streetseller, labourer, exterminator, factory worker, gardener, clerk, travel agent, teacher and drug trial guinea pig”.

SummonsHis first novel, The Summons (Vintage — Random House, 2006) is a thriller set in nazi Germany during World War II. Line of Sight (Penguin), the first of David’s novels set in the seedier suburbs of Perth and featuring detective Frank Swann, was short-listed for a 2011 Ned Kelly Award. Penguin also released the sequel, Zero at the Bone, and Fremantle Press published the third Frank Swann novel, Old Scores, in 2016.

PerthDavid’s non-fiction book Perth, part of the New South Publishing city series, was short-listed for the 2014 WA Premier’s Book Awards. 

David has taught in the prison system in WA and in Fiji, where he started the country’s first prisoner writing program, which now operates in all Fijian prisons. He currently lives in Fremantle, Western Australia, and teaches creative writing at Curtin University.

If you’re looking for a top-notch title for a Father’s Day gift, you won’t go wrong choosing a book by David Whish-Wilson. For now, I’m sure you’ll enjoy reading his responses to my Shelf Aware questions.

 

Q. David, how would you describe the work that you do and how you do it?

A. I work in a range of forms and genres. I’ve written the text for a war memorial, for museum plaques and public artworks. I like writing creative non-fiction that refers to place, usually in essay form but with one book-length work (Perth, part of the NewSouth city series) on the subject. My primary trade is however as a crime writer, with three novels set in 1970s/80s Perth (and another out with Fremantle Press next year) that uses the form to explore the kinds of stories about the kinds of characters that you don’t necessarily find in history books, for example. I treat writing as a job like any other, and try and make sure that every book I write extends my understanding of the craft. My perfect writing day involves a long morning shift and a long afternoon shift, broken by lunch and a short siesta, with some editing done very late at night.

9781925591279Q. What can you tell us about your latest writing project/book release?

A. My latest release is The Coves, out with Fremantle Press. It’s a new form for me, mixing a coming of age story with a crime narrative structure. The main character, Samuel Bellamy, one of the first children born to the Swan River colony, travels aged twelve to gold-rush San Francisco in 1849, where he falls in with a gang of Australian criminals known as the Sydney Coves, or the Sydney Ducks.

I was lucky enough to travel to San Francisco to research the story and this fascinating bunch of men and women who ran organised crime in the waterfront area of San Francisco throughout the 1850s.  I found it an interesting experience writing from the perspective of a child protagonist in a chaotic and lawless adult setting. I like the way children observe the world, and how they experience time more slowly, enabling them to be more ‘present’ in the world. This way of seeing the world enabled me to write The Coves as a small, tight historical crime narrative rather than as a giant historical epic, with just a few main characters and a more limited setting. Using the structure of a crime narrative allowed me to work with creating suspense over a smaller timeframe, without skimping on characterisation or a developed sense of the place as it was then.

Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. My wife is a high-school English teacher and so most of the books at home are hers, or those belonging to my three kids. I have a massive TBR pile beside my bed. The usual process is to work through the pile and transfer them to the boot of my car. When that gets too full I move them into my office at Curtin University, which is where I keep the majority of my books.

Q. How are your books organised/arranged?

A. Fortunately my office is full of bookshelves. Even so, there are plenty in boxes and piled on the floor. There are gaps in the shelves where I’ve leant out books to students. A while back I worked as a poetry teacher in the prison system over here – I loaned out dozens of books to inmates over the years, never expecting them back. I quite like the idea of those books still floating around the prison system. A couple of years ago when I turned fifty I decided to cull my book aggregation (this term is more accurate for me, I think, rather than collection) based on the single question – will I want to read this book again before I die? Answering this question enabled me to donate away several hundred books.

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My bookshelves aren’t particularly ordered beyond categories such as poetry, crime fiction, Aboriginal subjects (which I used to teach), writing textbooks, philosophy or theory, history, and books about Perth (a subject I find endlessly fascinating). I have some favourite writers whose books are placed together, whose works I sought out until I’d read everything they’d ever written, such as Paul Bowles, Joseph Roth, Jean Genet, Penelope Fitzgerald, Megan Abbott, Peter Temple, Cormac McCarthy, James Ellroy, Saul Bellow, Gail Jones, Joan London and plenty of others. I also have a shelf of signed books written by friends, students, or books that I’ve blurbed.

Q. Describe your favourite reading place.

A. I can read anywhere, although my favourite place is reclined on the swag in my writing room, or in bed, or if the kids are being noisy, on the bean bag in our TV room.

Q. What book/s are you reading right now? Why did you choose that book/those books and what do you think of it/them so far?

A. I’ve just finished reading a terrific historical fiction novel called The Making of Martin Sparrow, which I’m reviewing for ABR. I’m currently reading a book that was given to me by a writer, Alistair McCartney, who grew up in Perth but who now lives in LA. It’s called The Disintegrations and consists of short meditations upon memory and death. It’s beautifully written and recently won the USA Publishing Triangle’s Ferro-Grumley award for LGBTQ Fiction. My youngest kids are nine and twelve, and at night we’ve returned to doing bedtime ‘story-time’, involving each of us taking turns to read a couple of chapters a night of AJ Betts’ latest novel, Hive. I’m loving it, and so are they.

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Q. What are your favourite books and/or who are your favourite authors?

A. Too many to mention, particularly as I range widely across genre and form, with favourite writers in each. One thing I will say is that over the past decade in particular, I find myself reading more and more Australian writers. Local writers whose work I wait in anticipation for include Angela Savage, Amanda Curtin, Alan Carter, Iain Ryan, Jock Serong, Kim Scott, Josephine Rowe, Andrew Nette, Gail Jones, Julienne van Loon, Deborah Robertson, Paul Hardisty, Rohan Wilson and about a dozen more.

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

A. I’ve just inherited a book that my great-grandfather Oliver and his brother Francis Whish-Wilson brought out with them from India (where they were born into a Scottish soldiering family) when they migrated together to Tasmania in the early 1880s. It’s the collected poetical works of Robbie Burns. I’m just about to begin reading it, so would grab that first. I’m not too sentimental about books but would probably grab one of the Ngugi wa Thiong’o novels that I bought in Tanzania when I lived in East Africa as a teenager, and maybe Meja Mwangi’s Going Down River Road, which is equally battered and well-travelled.

Q. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would you like to talk to them about?

A. I would love to get Cervantes, Peter Temple and Gogol together in a room. Spanish and Australian wit meets Russian inquisitiveness and straight-talking. I would serve them a big bowl of zarzuela, my favourite soup, with fresh bread. There would be lots of red wine. I wouldn’t speak much, I don’t think, just listen.

For more about David, visit his website, or follow him on Facebook and Twitter.

#davidwhishwilson #fremantlepress #thecoves #crimefiction #australiancrimefiction #westaustralianauthor

Shelf Aware — Lorena Carrington

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Photographic illustrator Lorena Carrington.

Vasilisa the Wise and Other Tales of Brave Young Womenillustrated by Lorena Carringtonwritten by Kate Forsyth, and published by my dear friends at Serenity Press, is a collection of re-told fairy tales in which young women save the day, in one way or another. It is inspiring, liberating, beautifully crafted and a must-have for tweenage and teenage girls, and women of all ages. It was also the second best-selling book at this year’s Perth Writers’ Week, and Kate, Lorena and Serenity co-director Monique Mulligan were among the most popular guests at the festival. So positive was the reception for Vasilisa that the trio of Kate, Lorena and Serenity will again join forces for the release of their recently announced second collaboration, The Buried Moon and Other Tales of Bright Young Women. 

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When Vasilisa was released, I interviewed Kate Forsyth for Shelf Aware, and I’ve been saving this interview with the exceptionally talented Lorena Carrington, waiting for the announcement of the second collection of fairy tales. I remain in awe of Lorena’s gift for creating beautiful, evocative and captivating images using found objects. If you look closely at some of the images in Vasilisa the Wise and Other Tales of Brave Young Women you might also spot images of daughters of Kate and Lorena. Each time I pick up my copy of the book, I find myself drawn to Lorena’s striking imagery, which perfectly complements Kate’s rich storytelling, and I’m definitely looking forward to buying a copy of The Buried Moon, when it is released.

For now, I am thoroughly enjoying reading through Lorena’s responses to my Shelf Aware questions, and gazing at the photographs of her enviable home library. She is one of my favourite Shelf Aware guests so far, for many reasons, and I’m confident you’ll also find much to delight you in her words and pictures.

Q. Lorena, how would you describe the work that you do and how you do it?

A. I’m a photographic illustrator. People often assume my work is made with ink or paint, but I actually photograph many separate elements; sticks, leaves, bones, people, and digitally montage them together to create the final image. My work mostly revolves around fairy tales, but I do work with other themes and genres. It’s wonderful fun, and I feel very lucky to have found my niche. I do write as well, but for now I’m focusing on book illustration.

Q. What can you tell us about your latest writing project/book release?

A. Vasilisa the Wise and Other Tales of Brave Young Women came out in December with the wonderful Serenity Press. Kate Forsyth has retold seven fairy tales of girls and young women who take the active role in their stories. It’s a project we’ve been working on together since 2015, so it’s wonderful to see it come to fruition! I have several more books lined up with Serenity Press, including a sequel to Vasilisa, and I’m also working on a collection of short stories with a local Castlemaine writer. I recently pinned up a three year planner next to my computer. It goes up to 2020. Shouldn’t we have flying cars by then?!

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Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. We have the wonderful luxury of a dedicated library in our house. It’s part of the main living area, but it’s tucked away so feels like its own little room. I love it. And other book places? Oh let me count them… There’s the floor to ceiling bookcase in each of our daughters’ rooms, the other floor to ceiling shelves for cookbooks in the kitchen, the overflowing mantlepiece in our bedroom, the stack(s) of books next to our couches, the smaller piles that congregate on our dining table, the back seat of the car, sometimes the bathroom…. I could go on!

Shelfie

Q. How are your books organised/arranged?

A. I’m afraid we rely on a combination of utter chaos, and whatever fits where… At least my fairy tale books are all together on a couple of shelves. And after years of staring at the shelves, I (mostly, vaguely) know where everything is. I do often fantasise about taking everything off the shelves and ordering them according to genre, or at least fiction/non-fiction, but so far I haven’t had anything I’ve wanted to avoid doing quite that much. Maybe I should start a PhD… or doing our taxes by myself.

Poetics of VisionQ. What sorts of books predominate?

A. We have a pretty wide range, but fiction and art books tend to dominate. My partner is a Visual Arts academic (now happily out of the system) so the art books tend to lean toward the theoretical and philosophical: The Poetics of Vision, The Photographer’s Eye, that sort of thing. We have a lovely big collection of middle grade and YA fiction thanks to our 12 and 14 year old daughters, many of which I’ve bought for ‘them’, aka myself. I collect fiction, mostly by Australian women writers nowadays; partly because I know a lot of them through Twitter (or bumping into them at the supermarket — Castlemaine is pretty author-heavy), and partly because that’s just what I’m interested in reading. And of course my collection of books on fairy tales just keeps growing. It’s a lovely balance of story collections, theory, and a lot of related contemporary fiction, which I love.

I won’t tell you about 200+ cookbooks.

Couch

Q. Describe your favourite reading place.

A. Hands down, the couch. Specifically, in Winter with the fire going, and a cup of tea or red wine by my side. We have a bay window that looks out over our wild back garden. If I’m lucky I’ll catch a glimpse of the chooks wandering past and the dog rolling around in the sun.

Alternatively, and this is very specific, the trampoline – but only if it’s mild and sunny after a stretch of cold gloomy days, and little clouds are scudding across a brilliant blue sky, and the kids aren’t home! It’s not worth risking a Tigger-like bouncing.

Q. What book/s are you reading right now (at time of interview)? Why did you choose that book/those books and what do you think of it/them so far?

A. I’m afraid I’m a serial book starter, and a dreadfully unfaithful one at that. Right now (at time of interview) I’ve got several on the go. The following are a few at the top of the pile. A Feast of Sorrows by Angela Slatter, which is a fantastically dark collection of fairy tales that I’m loving and savouring. Mirror, Mirror, which is another collection, this time essays on fairy tales by women writers. If Women Rose Rooted, by Sharon Blackie, which is a manifesto at its core: a call for women to reach back to their roots (of landscape and story) to regain power in their contemporary lives. I tend to dip into non-fiction, which I’ve done before with Sharon’s book, but this time I’m consciously reading it from cover to cover. I’m about to start illustrating a collection of her stories, so I’m trying to get a good feel for her rhythm and style, the imagery she uses, and what’s important to her.

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Q. What are your favourite books and/or who are your favourite authors?

A. Now that’s not fair! But I’ll tell you what I’ve enjoyed recently. Kate Forsyth’s Beauty in Thorns is a stunning novel about the women of the Pre-Rapahelite art movement. That’s my ‘total immersion’ pick for this year. I loved it. Hannah Kent’s The Good People was another huge standout for me. It’s incredible. When it comes to short stories, Cate Kennedy, Kelly Link and Carmel Bird cannot be beat. I’ve been reading a lot of fairy tale based fiction, and my list of favourites keeps getting longer: Kate Forsyth, Margo Lanagan, Jane Talbot, Angela Slatter, Neil Gaiman, Danielle Wood, Katherine Arden… and probably many more that I’ll wish I’d thought of as soon as I send this to you.

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

A. The good thing about books is that they’re mostly replaceable. But the first thing I would grab is a copy of Edmund Dulac’s Fairy Book that my mother gifted me, complete with a presentation box that she made. No doubt I’d throw in Fearless Girls, Wise Women and Beloved Sisters: Heroines in Folktales from Around the World, which had a lot to do with the direction I’ve taken with my work. And the last is maybe an incongruous pick… Graeme Base’s The Eleventh Hour. It was a childhood favourite, and I still look for tiny mice in the corners of books. It also inspired a few hidden secrets in the illustrations of Vasilisa the Wise and Other Tales of Brave Young Women

Dinner

Q. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would like to talk to them about?

A. I might be one of the few people who have actually done it! When Kate Forsyth came to visit from Sydney late last year, I sent dinner invitations around to a few local authors I admire. To my utter delight, we had Kate Forsyth, Carmel Bird, Cate Kennedy, Susan Green, Martine Murray and Juliet O’Conor all drinking champagne around our dining table! We ate huge vegetarian salads, spanakopita, and a dense Middle Eastern carob molasses and aniseed cake. Everyone brought a bottle of wine, and we chatted late into the evening – about books, writing, art, our creative lives… It was a wonderful night.

Find out more about Lorena Carrington on her website, Twitter, Facebook or Instagram pages, and read more about Vasilisa the Wise and Other Tales of Brave Young Women at its dedicated website here.

Books on Tour — Anne Donnelly

With all the recent news about dramatic changes to the Chinese Government’s policy on receiving recycled goods, and the decision by major Australian retail outlets to ban single-use plastic bags, it seems fitting that my latest Books on Tour guest has written, illustrated and self-published a picture book that introduces the concepts of reducing waste, recycling and environmental sustainability.

Anne Donnelly’s book, Ori’s Clean-Up, reveals its vital messages through the eponymous Ori the Octopus, a character certain to inspire and delight young readers and help them learn that if we join together to reduce, reuse and recycle, we can undo some of the damage already done to our environment, and minimise the impact of waste on the world and its wildlife. The book has been endorsed by the folk at Clean Up Australia.

As part of the Books on Tour blog series, Anne has answered my Shelf Aware questions, and shared some photos of her book shelves at home, along with details of the books that have special meaning to her.

You can follow the rest of the Ori’s Clean-Up Books on Tour series via this link, with Anne — and Ori — making an appearance on several bookish blogs.

Q. How would you describe the work that you do and how you do it?
A. A labour of love, a creative outlet and a passion as for most authors, illustrators and creators.

Q. What can you tell us about your latest writing project/book release?
A. My latest book release is a hardcover 32-page picture book entitled Ori’s Clean-Up. It introduces concepts such as recycling, re-using, using fabric bags instead of plastic, composting and giving things away instead of throwing them out. It has been endorsed by Clean Up Australia due to its clear environmental message.
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Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?
A. Books are everywhere at home. We are a family of four readers. The two offices and my two kids’ bedrooms have significant book shelf space, but there are pretty much books everywhere, and magazines and papers.

Q. How are your books organised/arranged?
A. Our books are only casually organised. Most of the children’s books are in the kids’ rooms, while textbooks and adult fiction are in the other two main book areas. We’re always using them so they are in and out and we go through them regularly and update.
Bookshelf4

Q. What sorts of books predominate?
A. Children’s fiction (picture books the most) and reference books predominate. Then adult fiction (high proportion science fiction) and adult non-fiction biographies /autobiographies, cookbooks etc.

Q. Describe your favourite reading place.
A. In the winter, in bed with the electric blanket on. Otherwise on the lounge.

Q. What book/s are you reading right now? Why did you choose that book/those books and what do you think of it/them so far?
A. I am reading two Terry Pratchett books. One is a compilation of short stories and the other is a Disk World novel that I am enjoying immensely.

Q. What are your favourite books and/or who are your favourite authors?
A. Terry Pratchett is my favourite author. He is so clever in the way he pokes fun at us all, truly the best satirical reflective works. But I did go through a phase of reading lots of biographies, autobiographies and general such as A Very Short History of the World.

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?
A. Tough one. The Pratchett Portfolio by Paul Kidby (limited edition collectors I believe), What I Know for Sure by Oprah Winfrey and maybe my folder with all my favourite recipes of all time.

Q. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would like to talk to them about?
A. Winston Churchill – I imagine he would like tea and scones. I would ask him how he honestly felt about not being re-elected after he did the toughest job in the world. Moist Von Lipwig (Disk World character) – a sausage in a bun (Disk World joke). I would plead with him to teach me how to mould people to your way of thinking. And…maybe…future me when I am a famous author (ha!) – I would love Cristoli biscuits with tea. I would ask myself what the secret of unlocking my big break was!

You can find out more about Anne Donnelly, Ori’s Clean-Up and other Ori the Octopus books here.

More details of the Books on Tour blog series are available here, and you can learn more about its organisers from Just Write for Kids here.

Author interview — Alli Sinclair

Australian author Alli Sinclair’s latest novel Burning Fields (Harlequin) provides insight into the role played by Australian women on the land during World War II, and their struggles to readjust to societal expectations once their brothers, husbands, lovers or fathers returned from the battlefields. It also highlights the challenges faced by foreigners attempting to find a place in post-war Australia, and the resentment they faced from people whose lives had been irrevocably changed by the conflict, both personally and as a nation. Of course, readers of Alli’s other novels will be expecting a gentle romance to unfold between the pages of the story, and they won’t be disappointed.

Alli was a guest on my Shelf Aware blog series last year, when she released Beneath the Parisian Skies, and I was delighted to meet her in person when she visited Western Australia on a promotional tour for that novel — after having developed an online friendship with her that encompassed our shared interest in US country punk / folk outfit the Violent Femmes. I’m also delighted to have been asked to interview her about Burning Fields, and I hope you’ll enjoy learning a bit more about this compassionate, thought-provoking and captivating story.

ME: What led you to set this new novel in Northern Queensland and Palermo, Sicily, in the period after World War II?

AS: I wanted to write about post-war because it was a huge time of transition for everyone, with returned servicemen trying to find a way to adapt to being back home after their traumatic experiences abroad, and women trying to find a way to return to the role of homemaker after experiencing independence working for the war effort.

Also, immigrants were trying to find a way to fit in to a country that was so very foreign to them and there was resistance from people already living here. From the second Burning Fields came to me I knew northern Queensland was the perfect setting because it is such a beautiful, unique part of the world.

Also, during the war, Queensland had a real fear of being bombed and people had to live with that on a daily basis. So even though the story takes place in a time of peace, the locals are still wary about foreigners, especially nationalities that were fighting against Australia for part of the war. I decided to make Tomas Sicilian because many significant events happened in Sicily during the war and I wanted to weave these into the main story.

ME: You manage to conjure a convincing sense of time and place in this book (and your others). Were you able to spend any time in northern Queensland and/or Sicily while researching or writing the book and, if so, what you can you tell me about your experiences there?

AS: Northern Queensland is one of my favourite places and it was a joy to be able to research the history of this region. Standing in the sugarcane fields, it was easy to imagine Rosie and Tomas having deep conversations and learning more about each other. The sights, smells and atmosphere of a town set in this region are a combination of many towns I visited whilst researching and my own recreational visits throughout the years. When I write, it’s as if a movie is unfolding before me, so the descriptions of places in the story are exactly as I imagine it in my mind and what I’ve seen on my own visits to northern Queensland.

ME: Can you tell me a little bit about the sort of research you did for this book?

AS: I’m a researcher by nature so, as with all my other books, I happily delved into research and came up with some amazing facts that I was able to include in Burning Fields. One of the things I have discovered since becoming a writer is that people are usually very happy to give their expertise or talk about their experiences to help add authenticity to a story. For example, the Cairns Historical Centre, Australian Institute of Aboriginal and Torres Strait Islanders, James Cook University, Museo Italiano, sugarcane farmers and Sicilian immigrants have all helped with my research for Burning Fields and I am very grateful for their time and passion for my story.

ME: How did the process of writing this novel differ from writing your previous novels?

AS: This was the first time an idea for a book came to me fully formed. Normally I have to chip away, taking weeks to come up with a storyline but when I sat down to write the outline for Burning Fields, the words poured onto the page. It was as if the story had been inside me, just waiting for the right moment to appear. I felt I knew my characters really well, even when it was just at the concept stage. Burning Fields was a lovely surprise as the writing process wasn’t as painful for me as it normally is! I don’t particularly like writing first drafts, I much prefer second and third drafts where I add layers to the stories and characters but this time around, I had a strong feel for the story and characters before I’d even started writing. I was very lucky!

ME: You tackle some big issues in Burning Fields, most notably racism/xenophobia and the sense of displacement experienced by many women who adopted non-traditional roles during the war but were forced to return to their former lifestyle in the post-war era. What were some of the challenges associated with incorporating these issues in what is essentially a love story?

AS: I like to write stories with multiple layers, especially ones that delve into the social issues of the era I’m writing about. Not only does it bring authenticity to the story, it can inspire conversation about the differences between then and now. With the racism and sexism that is woven into Burning Fields, it highlights how much, or in some cases how little, things have changed, and my wish is for this to spark conversations with fellow readers, friends and their relatives about what we can do to one day have a society that is equal for all.

I look at the love story as not just about the relationship between Rosie and Tomas, it’s also about their beliefs and experiences and their relationships with the people around them. That’s what helps shape how they are with each other and within themselves and it’s what helps them grow. No one ever comes to a relationship without baggage or hopes for the future, so I embraced the kind of experiences and wishes people from this era would have gone through, and it was reflected in my characters and their individual journeys.

ME: What were some of the main challenges you faced while writing Burning Fields?

AS: I was lucky to find people who were able to recall their experiences on sugarcane farms or war-torn Italy from seventy years ago, so the research wasn’t too hard, although the subject matter at times was quite challenging. Racism and sexism are topics that get me very heated and I sometimes found myself yelling at certain characters and their deplorable behaviour!

ME: And what did you enjoy most about writing the story of Rosie and Tomas?

AS: I really enjoyed writing the scenes where they did their “walk and talk” through the beautiful countryside as they got to know each other. They come from two very different worlds, so it was lovely to see them peeling away their protective armour and allowing the other in to discover who they really are. As I wrote the story, I felt like I was getting to know them at the same time they got to know each other. It was a lovely experience.

ME: Although you depict incidences of racism in the story, you also incorporate scenes in which people from diverse backgrounds mix and mingle in harmony. What do you think most Australians feel about multiculturalism in 2018 compared with how they felt about it in 1948, when your story is set?

AS: As much as I want to say that Australia is free of racism these days, that’s not the case. I truly hope one day that will happen and we can all get along and respect and embrace each other’s differences. Even though I still think we have a long way to go before racism is eradicated, I look at my children and their friends and their unwavering acceptance of people from all different backgrounds and it gives me hope that we are closer to eliminating racism than we were 70 years ago. I’m not sure if racism can ever be one hundred per cent removed, but it doesn’t stop me from hoping and working with others to help that happen.

My hope is that books like Burning Fields will spark conversations amongst our friends and family, our children, our grandparents, and we can learn from our ancestor’s mistake and find a way to make a better present and future for all.

ME: How did you cope with writing some of the confronting, violent scenes in this novel? Are you able to separate yourself from the fiction, or do you find it difficult to distance yourself from the plight of your characters when they face what are essentially horrific situations?

AS: It’s not uncommon for my hubby or one of my kids to come into my office and find me crying over a scene. I do get heavily involved with my characters and I tend to write instinctually and know when a character does or says something that is or isn’t true to who they are. The violent scenes were hard, especially with my lovely older Italian man as he was so fragile and confused and the language barrier made it difficult for him to stand up to the young thugs. Sometimes after a scene I need to step away and take a long walk or have a stiff drink!

ME: Your heroine Rosie’s relationship with her best friend Kitty helps her through some tough times. In what ways are your own female friendships important to you?

AS: Kitty and Rosie are very much like the type of female friendships I have. They have a long history with each other and have no qualms about calling their friend out on something if need be. Their friendship is more like sisters (except with less fighting!). My own female friendships are extremely important to me and I value them greatly. I have friends in different circles—writer friends, school mums, long-time friends, travel friends—and the one thing we all have in common is that we share a bond and understanding that even though life may get busy, we’re always there for each other and whenever we do catch up, it’s just like we’d seen each other yesterday.

ME: You have a lot of faithful readers here in Australia and further afield. What do some of your personal and online interactions with your readers mean to you?

AS: They mean everything! I love nothing more than hearing from readers and it’s one of my favourite parts of writing. If the characters and stories I create entertain and enrich, then it inspires me to create more and it means I’ve done my job well. I had one reader contact me after she’d read Under the Spanish Stars and told me that after she’d finished reading the book, she was inspired to follow her dreams, just like my heroine. This reader had always wanted to write a book and she’s now done so (and even attended a couple of workshops I’ve run!). I’m so proud of her and I’m so pleased that my books can have such a marked impact on people.

ME: Finally, what can you tell us about your next novel… (no pressure!)?

AS: Ha! I can’t tell you the title as my publisher and I are still deciding! The novel has been written (yay!) and is set in 1994 northern Queensland (the same town in Burning Fields) and also 1952 Hollywood. There’s intrigue, romance, and plenty of secrets that weave between the two storylines. I’m really excited about this story and look forward to seeing it published next year!

Burning Fields, by Alli Sinclair, is published by Harlequin through HarperCollins Publishers, rrp $29.99. I received an advanced review copy from the publisher.

Find out more about Alli on her website, Facebook page or Twitter.

Find out about more new Harlequin releases at HarperCollins Publishers.

Interview — Megan Goldin

Former journalist and Reuters Middle East and Asia correspondent Megan Goldin’s new thriller The Escape Room (Penguin) taps into the emerging zeitgeist around workplace sexism and bullying, and reflects the evolving role of women in business and positions of authority — while reinforcing the understanding that we’ve still got a long way to go in terms of equality and respect.

As a follow up to her bestselling debut The Girl in Kellers Way, it confirms Megan’s position as an Australian novelist making a significant impact at home and further afield (read her Shelf Aware guest post here). Such is the quality of her storytelling, that Megan is even impressing genre specialist Lee Child (author of the Jack Reacher series, and more), who describes The Escape Room as one of his favourite books of the year.

Megan tells me the plot for The Escape Room ‘took on a life of its own’ once she started writing, and her journalistic interest in politics inspired some ideas about office politics. Read on to find out more about the story behind this gripping tale of corporate intrigue and competition, with a murderous twist.

ME. What inspired the plot for The Escape Room?

MG. My writing tends to be very fluid and the plot took on a life of its own once I started writing. But my starting point for the novel began with some ideas that I had for a corporate noir thriller that delved into office politics. I’ve always been fascinated by politics – perhaps that’s the journalist in me. And there’s no politics more ruthless than office politics. People who work together have so many secrets ranging from their salaries and bonuses to whose saying what about whom to the boss, and various other machinations that go on in most offices. I wondered what would happen if those secrets slowly unfurled in the worst possible place at the worst possible time. It was around the time that this idea was bubbling in the back of my mind as I brainstormed ideas for my second novel that I was briefly stuck in a dark elevator. I figured that would make the perfect setting for my novel.

ME. What can you tell me about your research for this novel?

MG. I did a lot of research on elevators from understanding how they work and their dimensions and interior design to the more interesting aspects of human behaviour in elevators. I read psychology papers on how people behave in elevators which I found fascinating including a series of videos from the 1960s which ran on the show ‘Candid Camera’ and were absolutely hilarious. Perhaps most importantly I researched a few cases of people who were stuck in elevators and in some cases died. One of the most fascinating accounts was of a magazine editor who was stuck in an elevator for 41 hours. He has written about what happened during those hours of incarceration. In terms of researching the Wall Street lifestyle, I read extensively about Wall Street and then delved into blogs and forums by people who work in Wall Street. It gave me a sense of everything from what they wear, to their work-life balance (or rather imbalance) to issues related to their job, pay, bankers bonuses and how to deal with their bosses. I also sprinkled a few of my own work experiences in the novel such as an awful interview that I did after having my third baby in which the interviewer crunched on nuts throughout the interview.

ME. I’ve seen in social media that bestseller Lee Child has described the book as “Fantastic – one of my favourite books of the year.” How did that make you feel?

MG. Well, I had to pinch myself a few times! He was the first person outside of Penguin to read the book and I wasn’t sure whether he’d like it or not. In fact, I had several sleepless weeks worrying about it as I waited to find out whether he’d read it, and if he had read it whether he liked it. To get a response like that was amazing.

Girl in Kellers WayME. How did writing and publishing The Escape Room differ from writing The Girl in Kellers Way? Was it easier, or harder – or something in between?

MG. I worked with the same publisher and editor at Penguin and they were absolutely fabulous to work with, as they had been the previous time. But I suppose this time I knew what to expect which made it a little easier. Also, they were involved from the moment I had a first draft which saved a lot of time as I was able to incorporate their feedback into the second draft.

ME. What were some of the challenges associated with writing this book?

MG. This was a tough book to write. I knew it would be when I started writing it. I have quite a few rather complex characters. A complicated story. And it’s set in an elevator which is a very challenging place to set a novel. Plus there was the challenge that all writers who work on thrillers have which is maintaining pace and the integrity of the story. Added to all of that was setting large parts of the novel in an elevator and the psychological meltdown of the characters. It was tough to write but I really enjoyed the challenge.

ME. And what did you enjoy most about developing the characters and the story?

MG. I am one of those writers who don’t plan too much ahead of time. It all develops as I write which makes it quite an enjoyable experience as I don’t always know what’s coming around the next corner. The story took me in directions that I didn’t expect and had a lot of fun writing the dialogue and trying to capture the essence of my characters and the Wall Street corporate environment in which they worked.

ME. Why do you think that books exposing sexual harassment and professional bullying are important in contemporary times?

MG. It’s important to talk and write about these things so that people and companies can address them and change the culture. I am a strong believer in shining a spotlight on whatever is wrong in our society so that the problems are addressed rather than shoving them under the carpet and hoping they will go away.

ME. There’s a distinctly cinematic quality to your writing. Has there been any interest in adapting this book or The Girl in Kellers Way into a feature film and, if so, to what extent would you want to be involved in the project?

MG. I’ve been told that by many people who read the books. I think it’s partly because when I write I almost see it all happen in my head as if I was watching a movie. I have a film agent in the United States and there are various things happening though it is a slow process. I’ve written screenplays before and would be excited about getting involved potentially, but by the same token I have a lot more books that I’d like to write so it really would depend on whether my input is needed should either novel be turned into a film.

ME. How do your skills and experience as a former journalist help in your new career as a writer of fiction?

MG. I often think that one of the greatest skills as a journalist which is absolutely an imperative for a novelist in this day and age is persistence. Whether it’s persistence in writing a manuscript even on days when I’d rather do a dozen other things, or persistence in getting published, there is no doubt in my mind that persistence is a very important quality. That is obviously in addition to the ability to write and come up with a plot, characters and dialogue and so on.

ME. What led you to write in the thriller genre?

MG. I read widely but I’ve always enjoyed a great thriller, whether it’s a book or a movie. It’s a fantastic genre that gets my heart racing and adrenalin pumping.

ME. Can you tell readers of the blog a little bit about your writing routine or writing process?

MG. I have three kids and so I write whenever they are not around. That usually means that I write from the time they go to school until the time they come back as well as at night from about 9 or 10 pm until the early hours of the morning. School holidays are the worst for me because my kids are around and they go to sleep late so I often try to schedule my writing so that I do the bulk of it during term time.

You can read more about Megan on her website or follow her on Twitter or Facebook.

Books on Tour — Kellie Byrnes

This week I’m thrilled to be part of Books on Tour — a series of blogs highlighting the release of the new children’s picture book Cloud Conductor, by Kellie Byrnes (illustrated by Ann-Marie Finn and published by Wombat Books). Books on Tour is a project by the wonderful folk at Just Kids’ Lit, who you may recall interviewed my book Every Family is Different about me a few weeks ago (here).

For the Cloud Conductor Books on Tour series, you can visit a series of interviews and guest blogs featuring Kellie and this beautiful book about the power of imagination. Simply follow this link.

Kellie is a children’s author and full-time freelance writer, and a children’s book reviewer. She has a BA degree in Literature from Macquarie University, is an experienced copywriter and has worked in marketing, PR, sales, e-commerce and publishing roles, including working as a publishing assistant for Pan Macmillan, a sales rep for Pan and later Hardie Grant Gift (Taltrade Books at the time).

During these years, Kellie read a huge number of books, developed an understanding of the publishing industry and what it takes to make it as an author and writer.

I’m sure you’ll be inspired by her responses to my Shelf Aware interview questions, fascinated by her eclectic list of favourite books, and wishing you could take the time to pick and choose some of the captivating titles on her bookshelves (just like me).

Q. Kellie, how would you describe the work that you do and how you do it?

A. I write children’s books that hopefully inspire and entertain children, and help them to understand themselves and the world around them better.

I’m always thinking about, writing, or editing ideas for kidlit, and pretty much live and breathe words and stories. I’m a full-time freelance writer too, so am always working on something involving words!

Q. What can you tell us about your latest writing project/book release?

A. Cloud Conductor is a picture book about using the imagination to deal with challenging times. In the story, Frankie loves to just sit and watch the clouds. She conducts symphonies in the sky and listens to the melodies only she can hear.

As the seasons pass, Frankie is taken away from her bedroom on the tales she creates. Even when illness means she can’t leave her bed, Frankie can escape to the beach with shimmering waves or the outback with thundering horses.

The book is illustrated beautifully by Ann-Marie Finn, whose artwork style I just adore; and the book was published by Wombat Books.

I hope the story helps children who are ill or otherwise struggling, to discover a new tool they can use to cope with something difficult in their lives. It should also act as a prompt for discussions about how to help others who are unwell or facing tough times.

As well, I really hope Cloud Conductor encourages kids to have their “head in the clouds”. I think the imagination is so incredibly important, no matter our age, and children should be taught that it’s good, and healthy, to be creative and to daydream and visualise. There are many studies which show how creativity assists mental health, yet it seems to be something that we don’t value nearly enough.

pic of some book shelves

Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. Most of my bookcases are in my office – I have three large (and completely full) ones, plus two smaller ones, and even the built-ins in the room are also stacked with books. On top of that, my bedhead is always covered with library books I’m in the process of trying to find time to read; and the bed has built in bookcases on either side too, which are, you guessed it, full!

In addition, I have a couple of other bookcases spread around the house that contain books. I think I have more books in my house than anything else!  I also typically have a book or some kind of reading material in my handbag or car so that always have something to read. I haven’t ever counted how many books I have, but I think I’d be scared by the number!

Q. How are your books organised/arranged?

A. On my bookshelves, the books are arranged by genre and, for kidlit, by approximate age range. However, as I buy books and pull them out of the shelves, they can get a little muddled, so I try to do a re-jig of my collection at least once every six to twelve months so that I can find things when I need them!

Q. What sorts of books predominate?

I have a very eclectic range of books. I’m interested in most topics, and read most topics, so my shelves reflect that. In particular, since I write kidlit, I have a LOT of picture books, chapter books, middle grade and young adult books.

In addition, I’m pretty well stocked when it comes to personal development books, business (I’ve been self-employed for many years), art, biography, travel, and the classics. There’s also quite a few fantasy, chick-lit, poetry and literary fiction books on the shelves. I think I’ve ended up covering most genres here actually, haven’t I?!

Q. Describe your favourite reading place.

A. In bed! I know it’s not very good for my neck and shoulders, but there’s nothing quite like cuddling up in bed to read, particularly during the colder months of the year.

Q. What book/s are you reading right now? Why did you choose that book/those books and what do you think of it/them so far?

A. I always have multiple books on the go because I read according to my mood, and/or what I currently have to review, or that will help me write whatever genre I’m working on at the time.

In the last couple of days I’ve finished reading Oprah’s What I Know for Sure, which was a really interesting, poignant collection of life tips and musings (I liked to be reminded about ways to live a healthier, more productive and happy life); and Alexandra Horowitz’s Being a Dog: Following the Dog into a World of Smell, which was used for research for a non-fiction picture book I’m working on. It has some really fascinating facts in it, and is written in a very entertaining way.

As for kidlit, I read dozens of picture books each week typically because that’s what I’m most focused on writing, and it’s important to stay current, and learn from the best. The latest bunch that I’ve enjoyed include There’s a Dragon In Your Book written by Tom Fletcher; If Sharks Disappeared by Lily Williams, and Goodnight Already! by Jory John.

I’m just about to start reading YA novel The Bone Witch, by Rin Chupeco. I adore YA, and am working on some outlines for a couple of different novels in this genre, so try to read multiple books each month (YA fantasy is my particular love).

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8. What are your favourite books and/or who are your favourite authors?

A. I always find this question tricky as I have fallen in love with so many books over the years. I have a comprehensive list of some of my all-time favourites in various genres on my website, that people can check out if they have a while (it’s a long list!) but for brevity’s sake right now, here are some particular faves: The All Souls Trilogy by Deborah Harkness; The Ancient Future series by Traci Harding; The Cassie Palmer series by Karen Chance; The Time Traveler’s Wife by Audrey Niffenegger; The Monster at the End of This Book by Jon Stone & Michael Smollin; So Few of Me and Ish by Peter H. Reynolds; Mother Bruce by Ryan T. Higgins; The Harry Potter series by J.K. Rowling (of course!); Roald Dahl’s The Twits and Matilda; Enid Blyton’s The Magic Faraway Tree series; Flora & Ulysses by Kate DiCamillo; The Throne of Glass series and Court of Thorns & Roses series by Sarah J. Maas; Words in Deep Blue by Cath Crowley; The Messenger by Markus Zusak; and Green Eggs and Ham by Dr. Seuss.

9. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

Argh, I don’t even want to think about that!

If I had to choose three, I’d guess it would be ones that are in prominent spots because I read them often and love them, like A Discovery of Witches, from the All Souls Trilogy; The Twits; and a big book of poetry called World Poetry, which covers centuries of the best poems. I love to just flick through that one here and there to be inspired and to enjoy the beautiful language throughout.

10. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would like to talk to them about?

I think my answers to this would always depend on the day you catch me, and which authors and books are top of mind at the time. Today, I’d say I’d love to sit down for tea with Elizabeth Bennet from Pride and Prejudice; Deborah Harkness, the author of the All Souls Trilogy; and Roald Dahl. I’d just like to discuss all things books and writing – rather predictable, I know! As for what to serve, I’d get the afternoon tea catered so I knew the food would be up to everyone’s standards, and I wouldn’t have to stress.

Find out more about Kellie on her website, Facebook author page and Twitter.

The book can be ordered online at Wombat Books or Booktopia, to name a couple, plus in local bookstores.

Find out more about Just Kids’ Lit here and about Books on Tour here.