Shelf Aware — David Whish-Wilson


Author David Whish-Wilson.

David Whish-Wilson is one of those rare authors who has achieved both critical  and popular acclaim — and for good reason. David’s fifth novel, The Coves, was recently published by Fremantle Press, and is generating plenty of interest among readers of quality historical crime fiction.

David was born in Newcastle, New South Wales, and raised in Singapore, Victoria and Western Australia. According to his website, he “left Australia in 1984 to live in Europe, Africa and Asia, where he worked as a barman, actor, streetseller, labourer, exterminator, factory worker, gardener, clerk, travel agent, teacher and drug trial guinea pig”.

SummonsHis first novel, The Summons (Vintage — Random House, 2006) is a thriller set in nazi Germany during World War II. Line of Sight (Penguin), the first of David’s novels set in the seedier suburbs of Perth and featuring detective Frank Swann, was short-listed for a 2011 Ned Kelly Award. Penguin also released the sequel, Zero at the Bone, and Fremantle Press published the third Frank Swann novel, Old Scores, in 2016.

PerthDavid’s non-fiction book Perth, part of the New South Publishing city series, was short-listed for the 2014 WA Premier’s Book Awards. 

David has taught in the prison system in WA and in Fiji, where he started the country’s first prisoner writing program, which now operates in all Fijian prisons. He currently lives in Fremantle, Western Australia, and teaches creative writing at Curtin University.

If you’re looking for a top-notch title for a Father’s Day gift, you won’t go wrong choosing a book by David Whish-Wilson. For now, I’m sure you’ll enjoy reading his responses to my Shelf Aware questions.


Q. David, how would you describe the work that you do and how you do it?

A. I work in a range of forms and genres. I’ve written the text for a war memorial, for museum plaques and public artworks. I like writing creative non-fiction that refers to place, usually in essay form but with one book-length work (Perth, part of the NewSouth city series) on the subject. My primary trade is however as a crime writer, with three novels set in 1970s/80s Perth (and another out with Fremantle Press next year) that uses the form to explore the kinds of stories about the kinds of characters that you don’t necessarily find in history books, for example. I treat writing as a job like any other, and try and make sure that every book I write extends my understanding of the craft. My perfect writing day involves a long morning shift and a long afternoon shift, broken by lunch and a short siesta, with some editing done very late at night.

9781925591279Q. What can you tell us about your latest writing project/book release?

A. My latest release is The Coves, out with Fremantle Press. It’s a new form for me, mixing a coming of age story with a crime narrative structure. The main character, Samuel Bellamy, one of the first children born to the Swan River colony, travels aged twelve to gold-rush San Francisco in 1849, where he falls in with a gang of Australian criminals known as the Sydney Coves, or the Sydney Ducks.

I was lucky enough to travel to San Francisco to research the story and this fascinating bunch of men and women who ran organised crime in the waterfront area of San Francisco throughout the 1850s.  I found it an interesting experience writing from the perspective of a child protagonist in a chaotic and lawless adult setting. I like the way children observe the world, and how they experience time more slowly, enabling them to be more ‘present’ in the world. This way of seeing the world enabled me to write The Coves as a small, tight historical crime narrative rather than as a giant historical epic, with just a few main characters and a more limited setting. Using the structure of a crime narrative allowed me to work with creating suspense over a smaller timeframe, without skimping on characterisation or a developed sense of the place as it was then.

Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. My wife is a high-school English teacher and so most of the books at home are hers, or those belonging to my three kids. I have a massive TBR pile beside my bed. The usual process is to work through the pile and transfer them to the boot of my car. When that gets too full I move them into my office at Curtin University, which is where I keep the majority of my books.

Q. How are your books organised/arranged?

A. Fortunately my office is full of bookshelves. Even so, there are plenty in boxes and piled on the floor. There are gaps in the shelves where I’ve leant out books to students. A while back I worked as a poetry teacher in the prison system over here – I loaned out dozens of books to inmates over the years, never expecting them back. I quite like the idea of those books still floating around the prison system. A couple of years ago when I turned fifty I decided to cull my book aggregation (this term is more accurate for me, I think, rather than collection) based on the single question – will I want to read this book again before I die? Answering this question enabled me to donate away several hundred books.

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My bookshelves aren’t particularly ordered beyond categories such as poetry, crime fiction, Aboriginal subjects (which I used to teach), writing textbooks, philosophy or theory, history, and books about Perth (a subject I find endlessly fascinating). I have some favourite writers whose books are placed together, whose works I sought out until I’d read everything they’d ever written, such as Paul Bowles, Joseph Roth, Jean Genet, Penelope Fitzgerald, Megan Abbott, Peter Temple, Cormac McCarthy, James Ellroy, Saul Bellow, Gail Jones, Joan London and plenty of others. I also have a shelf of signed books written by friends, students, or books that I’ve blurbed.

Q. Describe your favourite reading place.

A. I can read anywhere, although my favourite place is reclined on the swag in my writing room, or in bed, or if the kids are being noisy, on the bean bag in our TV room.

Q. What book/s are you reading right now? Why did you choose that book/those books and what do you think of it/them so far?

A. I’ve just finished reading a terrific historical fiction novel called The Making of Martin Sparrow, which I’m reviewing for ABR. I’m currently reading a book that was given to me by a writer, Alistair McCartney, who grew up in Perth but who now lives in LA. It’s called The Disintegrations and consists of short meditations upon memory and death. It’s beautifully written and recently won the USA Publishing Triangle’s Ferro-Grumley award for LGBTQ Fiction. My youngest kids are nine and twelve, and at night we’ve returned to doing bedtime ‘story-time’, involving each of us taking turns to read a couple of chapters a night of AJ Betts’ latest novel, Hive. I’m loving it, and so are they.

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Q. What are your favourite books and/or who are your favourite authors?

A. Too many to mention, particularly as I range widely across genre and form, with favourite writers in each. One thing I will say is that over the past decade in particular, I find myself reading more and more Australian writers. Local writers whose work I wait in anticipation for include Angela Savage, Amanda Curtin, Alan Carter, Iain Ryan, Jock Serong, Kim Scott, Josephine Rowe, Andrew Nette, Gail Jones, Julienne van Loon, Deborah Robertson, Paul Hardisty, Rohan Wilson and about a dozen more.

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

A. I’ve just inherited a book that my great-grandfather Oliver and his brother Francis Whish-Wilson brought out with them from India (where they were born into a Scottish soldiering family) when they migrated together to Tasmania in the early 1880s. It’s the collected poetical works of Robbie Burns. I’m just about to begin reading it, so would grab that first. I’m not too sentimental about books but would probably grab one of the Ngugi wa Thiong’o novels that I bought in Tanzania when I lived in East Africa as a teenager, and maybe Meja Mwangi’s Going Down River Road, which is equally battered and well-travelled.

Q. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would you like to talk to them about?

A. I would love to get Cervantes, Peter Temple and Gogol together in a room. Spanish and Australian wit meets Russian inquisitiveness and straight-talking. I would serve them a big bowl of zarzuela, my favourite soup, with fresh bread. There would be lots of red wine. I wouldn’t speak much, I don’t think, just listen.

For more about David, visit his website, or follow him on Facebook and Twitter.

#davidwhishwilson #fremantlepress #thecoves #crimefiction #australiancrimefiction #westaustralianauthor

Shelf Aware — Lorena Carrington


Photographic illustrator Lorena Carrington.

Vasilisa the Wise and Other Tales of Brave Young Womenillustrated by Lorena Carringtonwritten by Kate Forsyth, and published by my dear friends at Serenity Press, is a collection of re-told fairy tales in which young women save the day, in one way or another. It is inspiring, liberating, beautifully crafted and a must-have for tweenage and teenage girls, and women of all ages. It was also the second best-selling book at this year’s Perth Writers’ Week, and Kate, Lorena and Serenity co-director Monique Mulligan were among the most popular guests at the festival. So positive was the reception for Vasilisa that the trio of Kate, Lorena and Serenity will again join forces for the release of their recently announced second collaboration, The Buried Moon and Other Tales of Bright Young Women. 


When Vasilisa was released, I interviewed Kate Forsyth for Shelf Aware, and I’ve been saving this interview with the exceptionally talented Lorena Carrington, waiting for the announcement of the second collection of fairy tales. I remain in awe of Lorena’s gift for creating beautiful, evocative and captivating images using found objects. If you look closely at some of the images in Vasilisa the Wise and Other Tales of Brave Young Women you might also spot images of daughters of Kate and Lorena. Each time I pick up my copy of the book, I find myself drawn to Lorena’s striking imagery, which perfectly complements Kate’s rich storytelling, and I’m definitely looking forward to buying a copy of The Buried Moon, when it is released.

For now, I am thoroughly enjoying reading through Lorena’s responses to my Shelf Aware questions, and gazing at the photographs of her enviable home library. She is one of my favourite Shelf Aware guests so far, for many reasons, and I’m confident you’ll also find much to delight you in her words and pictures.

Q. Lorena, how would you describe the work that you do and how you do it?

A. I’m a photographic illustrator. People often assume my work is made with ink or paint, but I actually photograph many separate elements; sticks, leaves, bones, people, and digitally montage them together to create the final image. My work mostly revolves around fairy tales, but I do work with other themes and genres. It’s wonderful fun, and I feel very lucky to have found my niche. I do write as well, but for now I’m focusing on book illustration.

Q. What can you tell us about your latest writing project/book release?

A. Vasilisa the Wise and Other Tales of Brave Young Women came out in December with the wonderful Serenity Press. Kate Forsyth has retold seven fairy tales of girls and young women who take the active role in their stories. It’s a project we’ve been working on together since 2015, so it’s wonderful to see it come to fruition! I have several more books lined up with Serenity Press, including a sequel to Vasilisa, and I’m also working on a collection of short stories with a local Castlemaine writer. I recently pinned up a three year planner next to my computer. It goes up to 2020. Shouldn’t we have flying cars by then?!


Q. Where are the main bookcases in your home or office? Do you also keep books in other places at home (or elsewhere)?

A. We have the wonderful luxury of a dedicated library in our house. It’s part of the main living area, but it’s tucked away so feels like its own little room. I love it. And other book places? Oh let me count them… There’s the floor to ceiling bookcase in each of our daughters’ rooms, the other floor to ceiling shelves for cookbooks in the kitchen, the overflowing mantlepiece in our bedroom, the stack(s) of books next to our couches, the smaller piles that congregate on our dining table, the back seat of the car, sometimes the bathroom…. I could go on!


Q. How are your books organised/arranged?

A. I’m afraid we rely on a combination of utter chaos, and whatever fits where… At least my fairy tale books are all together on a couple of shelves. And after years of staring at the shelves, I (mostly, vaguely) know where everything is. I do often fantasise about taking everything off the shelves and ordering them according to genre, or at least fiction/non-fiction, but so far I haven’t had anything I’ve wanted to avoid doing quite that much. Maybe I should start a PhD… or doing our taxes by myself.

Poetics of VisionQ. What sorts of books predominate?

A. We have a pretty wide range, but fiction and art books tend to dominate. My partner is a Visual Arts academic (now happily out of the system) so the art books tend to lean toward the theoretical and philosophical: The Poetics of Vision, The Photographer’s Eye, that sort of thing. We have a lovely big collection of middle grade and YA fiction thanks to our 12 and 14 year old daughters, many of which I’ve bought for ‘them’, aka myself. I collect fiction, mostly by Australian women writers nowadays; partly because I know a lot of them through Twitter (or bumping into them at the supermarket — Castlemaine is pretty author-heavy), and partly because that’s just what I’m interested in reading. And of course my collection of books on fairy tales just keeps growing. It’s a lovely balance of story collections, theory, and a lot of related contemporary fiction, which I love.

I won’t tell you about 200+ cookbooks.


Q. Describe your favourite reading place.

A. Hands down, the couch. Specifically, in Winter with the fire going, and a cup of tea or red wine by my side. We have a bay window that looks out over our wild back garden. If I’m lucky I’ll catch a glimpse of the chooks wandering past and the dog rolling around in the sun.

Alternatively, and this is very specific, the trampoline – but only if it’s mild and sunny after a stretch of cold gloomy days, and little clouds are scudding across a brilliant blue sky, and the kids aren’t home! It’s not worth risking a Tigger-like bouncing.

Q. What book/s are you reading right now (at time of interview)? Why did you choose that book/those books and what do you think of it/them so far?

A. I’m afraid I’m a serial book starter, and a dreadfully unfaithful one at that. Right now (at time of interview) I’ve got several on the go. The following are a few at the top of the pile. A Feast of Sorrows by Angela Slatter, which is a fantastically dark collection of fairy tales that I’m loving and savouring. Mirror, Mirror, which is another collection, this time essays on fairy tales by women writers. If Women Rose Rooted, by Sharon Blackie, which is a manifesto at its core: a call for women to reach back to their roots (of landscape and story) to regain power in their contemporary lives. I tend to dip into non-fiction, which I’ve done before with Sharon’s book, but this time I’m consciously reading it from cover to cover. I’m about to start illustrating a collection of her stories, so I’m trying to get a good feel for her rhythm and style, the imagery she uses, and what’s important to her.

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Q. What are your favourite books and/or who are your favourite authors?

A. Now that’s not fair! But I’ll tell you what I’ve enjoyed recently. Kate Forsyth’s Beauty in Thorns is a stunning novel about the women of the Pre-Rapahelite art movement. That’s my ‘total immersion’ pick for this year. I loved it. Hannah Kent’s The Good People was another huge standout for me. It’s incredible. When it comes to short stories, Cate Kennedy, Kelly Link and Carmel Bird cannot be beat. I’ve been reading a lot of fairy tale based fiction, and my list of favourites keeps getting longer: Kate Forsyth, Margo Lanagan, Jane Talbot, Angela Slatter, Neil Gaiman, Danielle Wood, Katherine Arden… and probably many more that I’ll wish I’d thought of as soon as I send this to you.

Q. In the event of an emergency, if you could save just three books from your collection, which books would they be – and why would you choose them?

A. The good thing about books is that they’re mostly replaceable. But the first thing I would grab is a copy of Edmund Dulac’s Fairy Book that my mother gifted me, complete with a presentation box that she made. No doubt I’d throw in Fearless Girls, Wise Women and Beloved Sisters: Heroines in Folktales from Around the World, which had a lot to do with the direction I’ve taken with my work. And the last is maybe an incongruous pick… Graeme Base’s The Eleventh Hour. It was a childhood favourite, and I still look for tiny mice in the corners of books. It also inspired a few hidden secrets in the illustrations of Vasilisa the Wise and Other Tales of Brave Young Women


Q. If you could sit down for afternoon tea with your three favourite characters or authors, who would they be, what would you serve them, and what would like to talk to them about?

A. I might be one of the few people who have actually done it! When Kate Forsyth came to visit from Sydney late last year, I sent dinner invitations around to a few local authors I admire. To my utter delight, we had Kate Forsyth, Carmel Bird, Cate Kennedy, Susan Green, Martine Murray and Juliet O’Conor all drinking champagne around our dining table! We ate huge vegetarian salads, spanakopita, and a dense Middle Eastern carob molasses and aniseed cake. Everyone brought a bottle of wine, and we chatted late into the evening – about books, writing, art, our creative lives… It was a wonderful night.

Find out more about Lorena Carrington on her website, Twitter, Facebook or Instagram pages, and read more about Vasilisa the Wise and Other Tales of Brave Young Women at its dedicated website here.